Something old, something new

2017: 1
A year ago I stood at the scrolled ironwork fence at the edge of the Horseshoe Falls in Niagara Falls, Ontario and took a photo.

We were just returning from a trip to visit family in Michigan and, like clockwork, I’d picked up some sort of virus and was sick in a way I hope never to be again in a soggy hotel room. On January 1, I was just coming out of the mist of the virus that we dubbed “Douglas,” and I wanted to breathe some fresh Canadian air. Poor M and H were still in Douglas’ grip, some 30 stories up in a hotel that has a beautiful view that neither of them could appreciate that day.

I have a lot of memories of that day, largely due, I believe, to the photo I took, which anchored me to the moment (pulling my coat close around me in the drizzle, not quite snow, not quite rain), to a feeling (unfettered and a bit loose on my feet after days of being in bed), to a thought (how quiet that rushing water is when you’re so close to the edge).

The next day, home at last, I snapped another photo with my iPod, this time of a lamp’s reflection on our bedroom ceiling. And then I decided to continue. I don’t know how I did it because I’m truly lousy at resolutions and doing anything on a regular basis (diaries, exercise classes, writing projects, reading projects) and there were many days in 2016 when I didn’t feel like taking a photo, or didn’t have a good idea of a photo to take, or didn’t have my camera with me. Still somehow I managed it: 366 black -and-white photos, one a day, no faking, no fudging, not always fabulous, but a record of the year.

That project taught me many things:

  • Set small goals: one photo a day is not a lot to ask.
  • Always have a camera on hand; you never know when a good photo will jump out in front of you and it’s a rotten feeling when that happens and there’s no camera to record it.
  • Don’t worry if you forgot your camera. Sometimes it’s just good to look with your eyes and record the moment with your heart. There will be other photo opportunities.
  • Be persistent with a project even when your will is weak, when you are tired, when you are sick, when you are NOT IN THE MOOD.
  • Look for light (and shadow) in new ways, look for texture and contrast, find beauty and detail aside from color.
  • Don’t be afraid of repetition, of returning to favorite scenes, themes, ideas. Each version is a bit different and the accretion of repetition is beautiful.
  • When it’s time for a project to end, put an ellipsis after it and then start a new one. Momentum is magical.

To that last point, I began a new daily project this past January 1, using last year’s photos to create a new found poem each day this year. I may post some of those poems/photos here from time to time, but if you want to know more about the project or to see them all, you can follow along at thefoundnow.

I have another photo project idea up my sleeve, too, but I’ll tell you about that later.

And what about you? Did you have a project last year (daily, weekly, sporadically) that brought you pleasure? Do you have plans for this year? I’d love to know. You are all so clever, and creative and inspiring; I can’t wait to hear what you’re up to.

52 Photos – A present someone gave me

Texture

We all have our quirks, our strange desires, our unexplainable fixations.

Maybe yours include miniature donkeys, red race cars, old marbles, antique spoons, smooth sticks, felted bowls, comic books, spools.

One of mine is yaks. Don’t ask me why. They just fascinate me.

For a small while I entertained the fantasy of adding a yak to our goat pen (imagine the goats’ outcry at that!).

My family—ever encouraging, ever thoughtful, ever patient—somehow found me a real yak bell. Huge and resonant, bearing the dents and rust of age and use.

Sometimes, when the house is too quiet and lonely and my mind is making too much noise, I’ll ring the bell (startle the dog), and imagine myself among those great shaggy beasts, heads down, grazing the grasses and sedges of some high plateau in Tibet. Unperturbed, steadfast, shoulder-to-shoulder with the rest of our herd.

Yak bell

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This photo and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Photos ~ Where people gather

Flat Top Johnny's

I think we can all agree that this winter has been long by any measure.

Even this week, when the days are noticeably elongated by extra minutes of daylight, the overnight temperatures keep plunging down below -10º F. The alternating daytime sunshine followed by nighttime freezes has glazed the snow with a sparkling layer that fractures with each step. It makes for beautiful but tiring walking.

Because I work at home, I spend too many hours alone in this house and on the trails and hills surrounding it. It’s beautiful. I love this place. But after a winter like we’ve all had, I’m antsy. I need to see people and buildings. I need to eat food that I didn’t cook. I need to buy things that I don’t really need. I need a different view out the window. I need not to see the piles of books and waiting projects.

Long days. Cabin fever days. Seen-enough-of-the-shovel-and-the-wood-pile days.

Probably not coincidentally, New England schools take a one-week break in February. M had to work, but H and I skeddadled to Boston, where my sister took us in and offered us her city.

We went to the most touristy of Boston spots, Quincy Market, where we grazed up and down the central hall of the food building and reminisced about our school days when we’d be set free early once a month from classes and we’d take the bus into town with our friends and gorge on pizza and french fries and then go window shopping at the most ridiculous single-themed tiny shops (one that sold nothing but things with hearts, another that sold only purple objects).

These days, Quincy Market is rather more like a mall, populated with larger chain stores (thankfully, the pizza place is still there). Even so, we enjoyed our hours among the school groups and the tourists, and the cute couple with matching stocking caps, and the new parents pushing baby carriages, and the teenagers giggling next to the candy shop, and the guy playing piano in the central atrium for an hour without stopping.

Our first night in town, we went to play pool. The music was loud, the food was mediocre, but we were there for the pool and the tables were clean and smooth. None of our group is any good at all, but oh did we have fun. We took turns walking around the table, lining up our shots, sinking some, but missing more often, trying out ridiculous angles, and laughing a lot. We got better as the night wore on, and then we got worse as we got tired.

I didn’t think about snow or ice or firewood or the oil tank once.

We’re home again and it’s as bitter as ever. I swear if it’s like this in April I’ll buy a plane ticket to Mexico. You’ll find me there with a pile of books, a plate of tacos, a tall cool drink, and no memory of winter.

Today when I went out the snow was so white, the sky so blue, the sunlight so bright that it was blinding (you know that kind of day when you come back inside and everything looks pink? that kind of day). The river was still frozen over. The dog skittered out onto the ice; he’s either braver than I am or just clueless.

I imagined a giant cue stick in my hand, my bending low over the table of ice, shooting my right arm forward with force, the slam of spring against winter, breaking it, scattering it, and sinking it into the corner pocket.

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This photo and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Photos ~ Hearts

Winter heart

Barn heart

Second in a series of two

Did I have a song in my head this week? Of course, I did…

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These photos and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Photos ~ Crooked line

Crooked line

River within the river

Snow bridge

Morning lines

Rivers in bark

Rose lines

I went to the doctor, I went to the mountains
I looked to the children, I drank from the fountains
There’s more than one answer to these questions
pointing me in crooked line
And the less I seek my source for some definitive
The closer I am to fine.

–The Indigo Girls, “Closer to Fine”

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These photos and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Weeks ~ In the circle

Pie Out

I made him a pie for his birthday. Because he prefers pie to cake. And can you blame him? He who was born at the tail end of September in the Northern Hemisphere and all around are perfect apples begging to become pie.

The best apples for pie, in our opinion, are Golden Russets, but those weren’t to be had this year for lowly pie (being coveted for hard cider), and our old Golden Russet tree bit the dust, and our new Golden Russet tree is not yet bearing.

But I found a substitute in a mixture of Pomme Gris, 20-ounce Pippins, and Ginger Golds that I hope will do.

* * * *

Tonight, we went out to feed the goats in the Autumn dark. It took awhile for our eyes to adjust, but we know the way after all these years.

The goats were waiting, impatient but quiet.

The stars popped out, and there was the comforting Milky Way, encircling us, as we orbit. Another year. Another happy birthday, my dear.

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This photo and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Photos ~ In my hands

Black and white

I don’t look at faces. I make eye contact with hands. I see their shape, their texture, their color, their size. Their wrinkles, freckles, knuckles, nails.

I’m wary of hands, but attracted to hands.

My own hands never measure up to the hands I wish I had. When I was a little girl, I tried to make my thumbs longer and more elegant by pulling on each with the other hand. This did not work.

There’s not a single long, lithe bone in my body.

I stared at my parents’ hands. They had nothing to do with mine. They did things that mine couldn’t do, and were unrelated to mine in size and shape.

My father’s hands. He spreads his square-tipped fingers as he walks, as if combing the air like water, as if preparing to grab the world by its collar.

My mother’s hands. Tapered, short fingers. As short as the cigar butts her father left in the ashtray next to his habitual end of the chesterfield. The fingers are a mark of the family.

When she was born, our daughter’s fingers seemed freakishly long. I mean, in proportion to a baby’s hand. She’s grown into them.

The other day, I held up my own hand as if to take a picture, thinking I might take a picture, deciding not to take a picture.

I saw my parents’ hands in my hands.

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This photo and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.

52 Photos ~ Stripes

Sisters

An ordinary Friday morning and I go out to the barn to feed the goats and do the morning check.

Everything is as it always is, or, at least, as it has been since the babies were born.

And then I notice little Doris, looking, well… poofy. She’s puffed up and her fur is sticking out like she’s a scared cat trying to make herself look big. She’s affectionate, but her spark is not there. She’s not jumping at my legs the way she usually does.

I know something’s not right, but I’m not entirely sure what it is because we’re still relatively new to this goat thing and our goats have been overall healthy so far.

I go in to ponder it, and do a little reading online. I’m pretty sure it’s bloat before I even start to look, but I look anyway.

I call the vet. She says, “Bring her right in.”

Right. Into the car I carry her. I have no goat carrier. I put her in a laundry basket, but she’s soon out of that (sick or not, she’s still got baby goat curiosity). I stop the car and she I finally agree that she can lie down on a pile of towels on the floor right behind the driver’s seat.

I’ve finally become one of those funky, Vermont women who drives around with a goat in her car. I want to smile at the notion, but I’m too worried. All the way to the vet, I’m singing to Doris. I’m singing her sister’s song (“Darcy Farrow”) over and over again to keep her calm. I keep getting to the part where Darcy Farrow dies, then I circle around again to the beginning and try to keep those thoughts out of my mind. I should have picked a happier song.

At the vet’s office, she’s examined.

After an x-ray (which reveals gas bubbles), the vet looks me straight in the eye. “This isn’t good.” I was already a little queasy, now I feel dizzy.

Doris is tubed (to remove gas from her stomach), aspirated (to remove gas from her rumen), given a dose of oil (to help consolidate the gas bubbles), given lactated ringers (for fluid and nutrition), given antibitoics, given her baby shots (since she’s due anyway).

Given the treatment.

Back into the car and we go home. I can’t put her in the barn because we’ve been warned we need to keep a steady eye on her and not let her eat anything. She’s still bloated; there’s only so much gas the vet can get out of her, and (the vet warns us) Doris is in guarded condition and may not last the night.

We put her in the downstairs bathroom.

Yes, in the span of one morning we’ve moved from people who keep goats in the yard to people who drive them around in the car and let them sleep in the house. I hear it eventually happens to everyone who owns goats.

We take turns being with her. The dog is inconsolable. He’s on the other side of that bathroom door and wants to be with us, with her. We even let him in for a bit. The goatling doesn’t care. She’s miserable.

More trips to the vet’s office that afternoon, the next morning, the following Monday. More of the same treatments. She’s not getting worse, but she’s not getting better.

Eventually, we put her back in the barn, in a clean stall, so she can be near her mother and sister. When you’re a goat, goat company is better than human company.

Little by little, she starts to get smaller. She nurses vigorously. She starts to generate “output”. The sparkle comes back into her eyes. She moves around more and doesn’t just lie or stand there trying to breathe.

Today, if you looked at her, you’d never know how sick she was. Eleven days later and she’s as slim and healthy seeming as her sister.

She’s not out of the woods yet, though. For now, she’s still indoors, resting her system, rebuilding the bacteria (slowly) in her rumen, biding time until she’s bigger and healthy enough to face the fresh green growth outside.

Oh, but it’s lovely to see her play, and jump on our laps, and chew a mouthful of dry hay, and nurse from her mother, lined up against her sister, two little stripes of perfect contentedness.

We all finally feel like we can breathe.

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This photo and post are in response to this week’s theme for the 52 Photos Project. You should participate, too! Read about how it works here. You can see a gallery of everyone’s photos for this week’s theme here. To see a list of all my blog posts for this project, go here.